Preston Shannon Band
April 22, 1998 - "Blue City Cafe", Memphis/Tennesse
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Southern Fried Soul & Downhome Blues Served Best With Ribs And Beans Facts Live On Beale Street Recordings |
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Facts (Taken from The Ultimate Band List) Memphis-based guitarist, singer and songwriter Preston Shannon delivers soul-filled vocals atop his burning, venom-tipped guitar chords. His voice is deep and guttural, and he's a veteran of hundreds of live club shows and recording sessions as a sideman. Shannon's specialty is a blend of Southern-fried soul and blues, and his albums and live shows -- always with a horn section -- are an eclectic mix of danceable, grooving tunes and slow, soulful ballads. Born in Olive Branch, Mississippi, Shannon's family moved to Memphis when he was eight. Although his Pentecostal parents didn't initially accept his fascination with blues music, they eventually did when they saw how serious he was about pursuing the music for his livelihood. Shannon served as a member of a popular 1970s bar band, Amnesty, and played in a succession of other Memphis-area bands while working by day for a hardware company. Finally, he decided to play music full time when he landed a spot in soul-blues belter Shirley Brown's band. It wasn't until 1991 that he put together his own band and began playing the clubs on Beale Street and other places. In the early 1990s, he was discovered playing in a Beale Street blues club by producer/keyboardist Ron Levy, who brought Shannon's talents to the attention of executives at Rounder Records. Shortly afterwards, in 1994, his first widely distributed recording was issued on the label. Shannon has recorded two albums for the Rounder Bullseye Blues subsidiary, Break the Ice (1994) and Midnight In Memphis (1996). Both albums more than adequately showcase his talents as a singer who can alternate between uptempo, gospel-inspired numbers and slower, soulful love songs and ballads. Shannon's guitar playing contains echoes of the Kings, Albert and B.B., T-Bone Walker, and some of the rhythmic sensibilities of Little Milton Campbell. Of the two albums, Midnight In Mempis is just a bit more eclectic; the mix of styles made it a radio-ready record for blues and soul stations in the South. For many years a homebody who couldn't be heard much outside the Memphis city limits, Shannon has done some road work in recent years, traveling to blues festivals around the U.S. Richard Skelly (All-Music Guide). |
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Live On Beale Street In May 1998 I traveled to Memphis and hoped to see some big names and great live music. Expectations were high when we set our feet for the first time on this historic ground. Because we arrived on monday and planned to be in town until friday we missed the weekend with the full schedule of national artist. So there were not many people and not all clubs had live music. On tuesday we headed for the Blues City Cafe. The band wasn't expected before 11 p.m. so we had time to taste the famous spare ribs they serve at the restaurant inside the club. With a half rack of spiced ribs with cole slaw and beans and a pitcher of bud were we ready for the show... 'Around midnight - that's my favorite time' are the words of one of Shannon's songs and it really was midnight when Preston entered the stage. Backed by his band including a section he got into the night with a whole bunch of rocking soul and blues tunes. Supported by bass, drums, organ and sax Preston did mostly covers (a shame when know you the great songs on his CDs, at that time I didn't know). With tunes like 'Mustang Sally', 'Ain't no sunshine' and even 'Purple Rain' he started a party and many people - black and white - danced near the stage. The band created a really excited atmosphere with everyone laughing and the performance was very tight - fat organ and swinging sax - backed by a funky rythym section. And in the center Shannon's deep pushing voice and not very much lead guitar. |
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Recordings Preston recorded his three highly acclaimed albums on the Bullseye Label (http://www.rounder.com). Shannon made guest appearances on several albums, too.
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